Documentation of interdisciplinary electroacoustic music: Drive and Native Tongue by Hannah Bosma

This paper discusses an example of the extended score documentation of a live electronics composition with improvisational aspects: Drive (2003-2009) by Anne La Berge. Alison Isadora’s Native Tongue forms a counter-example
of a piece for which an extended score documentation is not possible.

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This is a part of the paper presented by Hannah Bosma at the Electroacoustic Music Studies Network
07 Conference, June 2007, De Montford University, Leicester, UK; updated in 2009.